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Article Index


Dani Ploeger



Photo: Anna Orlowska

Dani Ploeger examines situations of conflict and crisis on the fringes of the world of high-tech consumerism. His objects, videos, and apps engage with the materiality of everyday technologies, and often question the sanitized, utopian marketing around innovation and its implications for local and global distributions of power. He has travelled to dump sites in Nigeria to collect electronic waste originating from Europe, stolen razor wire from the so-called ‘high-tech fence’ on the EU outer border in Hungary, documented electronic gadgets on the frontline of the Donbass War in Ukraine and interviewed witnesses of US drone attacks in Pakistan about technologies of violence and sound.

Dani holds a PhD in media studies and performance from the University of Sussex, UK, and is currently a Research Fellow at The Royal Central School of Speech and Drama in London, Fellow at V2_Lab for the unstable media in Rotterdam and Associate Research Fellow at De Montfort University in Leicester. He works between London, Berlin and Flushing, NL.

 

 


 

"A Space War Monument"


Dani Ploeger presents his new work "A Space War Monument", a land art performance commissioned by the Kuwait National Pavilion at the Venice Architecture Biennale on occasion of the 30th anniversary of the end of the Persian Gulf War (1990-91). At this online event, organized by Art Claims Impulse, he will share some insights on the background, context and realization of the work in the Kuwaiti desert.

Presentation:

 
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Official Trailer:

  

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The Gulf War has become broadly known as ‘The First Space War’ because of the prominent use of GPS-technology, ‘smart bombs’, stealth aircraft and other advanced technologies by the US military and their allies. However, philosopher Jean Baudrillard has suggested that this understanding of the war as a clean, high-tech affair has been constructed through media representations. Hardly anybody knows what really happened on the battlefield in the Kuwaiti desert, because news reports almost exclusively originated from heavily controlled and redacted press sources embedded with the US military. For this reason, he provocatively stated that ‘the Gulf War has not taken place.’

 

In this context, A Space War Monument connects the Gulf War’s high-tech dimension to a low-tech aspect of the conflict – the use of bulldozers as assault weapons by the US military – which have remained largely unacknowledged in official narratives. Ploeger commissioned a GPS-controlled bulldozer to erase remaining traces of the war in the Kuwaiti desert. This civilian machine brings together high- and low-tech aspects of the Gulf War, while drawing attention to the cross-contamination of military and civilian technological innovation: After the Gulf War, the bulldozer was the first construction vehicle that was equipped with GPS technology.

 

 

www.SpaceWarMonument.org

 


Our Values, 2019.





Our values, 2019, courtesy of the artist.



OUR VALUES

Razor wire, horn loudspeaker, steel, digital video, digital print on paper (140x40cm)
Commissioned by the Neue Gesellschaft für bildende Kunst Berlin.

 


Our values, 2019, courtesy of the artist.





Our values, 2019, courtesy of the artist.

 

Razor wire produced by the company European Security Fencing (ESF), based in Malaga in Spain, is used in many newly reinforced outer borders of the European Union, including the Hungarian-Serbian border. The euphemistic and positive-sounding corporate language used on the ESF website – which seems to have been translated with Google Translate – and the possibility to shop for razor wire ‘quickly and safely’ in the online shop stand in strong contrast with the archaic, violent nature of the product on offer.

 


Our values, 2019, courtesy of the artist.

 

In OUR VALUES, razor wire purchased from ESF is attached vertically to a metal stand with a horn loudspeaker, similar to the loudspeakers attached to the Hungarian border fence. Through the loudspeaker, the Google Translate voice monotonously speaks the corporate values that are listed on the ESF website. In August 2019, Dani Ploeger installed this object next to the Hungarian border fence, on the Serbian side of the border, outside the European Union.

 

>We act with professionalism, loyalty and respect for the people.

>We are committed to the job security, trying to inculcate a culture of prevention.

>Pursuing a common goal, we encourage the participation of all information sharing.

>Focusing our efforts in clients satisfaction.

>We conduct studies and promote continuous improvement to achieve the highest quality.

>We work to achieve the aims of the business project.

 

Our values, 2019, courtesy of the artist.

 


 

Upcoming Exhibitions

Laboratory of Electronic Ageing (male grooming) (2019). Installation as part of group exhibition ‘Zero Waste’
Museum der bildenden Künste Leipzig. 25/6 – 8/11/2020


The Grass Smells So Sweet (2018). VR installation as part of group exhibition ‘Real Feelings’
Haus der elektronischen Künste Basel. 27/8 – 15/11/2020


COZY LAND (Struggle and Expand) (2018-19). Short film made with Hava Carvajal and Max Packman-Walder
Film by the Sea, Vlissingen, NL. 19/9/2020


A New Middle of Nowhere (2020). Installation and video performance as part of residency project awarded by the Mondriaan Fund (NL)
Ujazdowksi Center for Contemporary Art, Warsaw. 30/9-1/10/2020


B-hind. Intimate innovation (2020). Installation and video performance as part of ‘Manifestations’
Dutch Design Week, Eindhoven, NL, 17-25/10/2020


OUR VALUES (2019). Installation as part of group exhibition ‘Bon Voyage’
Ludwig Forum Aachen. 13/11/2020 – 11/4/2021


A Space War Monument (2020-21). Land art performance and 3D printed object for the Kuwait Pavilion
Venice Architecture Biennale. 22/5 – 21/11/2021



Biography

Dani Ploeger’s work is shown in museums, galleries and festivals, such as ZKM Karlsruhe, Ludwig Forum Aachen, transmediale, Museum of Fine Arts Leipzig, Venice Architecture Biennale, Haus der elektronischen Künste Basel, WRO Media Art Biennale, V&A Museum London and The New Institute in Rotterdam. He has received commissions from ZKM, the New Society for Fine Arts (NGbK) Berlin, V2_Lab for the unstable media in Rotterdam and the Cité Internationale des Arts Paris, among others. His VR installation The Grass Smells So Sweet (2018) was awarded the jury prize at the VRHAM Festival for art and Virtual Reality in Hamburg. His work ASSAULT (2016), encompassing an iPad shot with an assault rifle, led to a preliminary investigation for terrorist activities by the Dutch public prosecution service.

In his eclectic body of critical writing, Dani has discussed technology consumerism as reflection of a ‘symbolic order of technological progress’ (Leonardo, 2017), presented a critical history of computer operating system sounds (The Oxford Handbook of Sound and Imagination, 2019) and critiqued English Higher Education as a form of objective violence (Ice Hole Journal, 2016).

After studying music at The Royal Conservatoire of The Hague and the Orchestra Academy of the Berlin Philharmonic, Dani lived in Palestine for two years, where he worked as a music and performance teacher. Upon his return to Europe he changed career and completed a practice-based PhD in media studies and performance at the University of Sussex, UK. He is currently a Research Fellow at The Royal Central School of Speech and Drama, University of London, Fellow at V2_Lab for the unstable media in Rotterdam and Associate Research Fellow at De Montfort University in Leicester. He lives and works between London, Berlin and Flushing (NL).

CV

Dani Ploeger
Born in Middelburg, Netherlands
Studied at Royal Conservatoire of The Hague (BMus), Orchestra Academy of the Berlin Philharmonic (PG), University of Sussex, UK (PhD)
Works in London, Berlin and Flushing (NL)


Selected exhibitions/performances

solo/duo

2020

V2_Lab for the unstable media, Rotterdam, NL

2019

Zeeuws maritiem Muzeeum, Vlissingen, NL

Bruthaus Gallery, Waregem, B (with Peter Puype)

2018

Import Projects, Berlin (with Aram Bartholl)

panke.gallery, Berlin (with Yvon Chabrowski)

2017

arebyte Gallery, London

2015

Watermans Art Centre, London
ruimteCAESUUR, Middelburg, Netherlands
2014

Defibrillator Gallery, Chicago


group
2021

Kuwait Pavilion, Venice Architecture Biennale

2020

Ludwig Forum, Aachen, D

Museum der bildenden Künste, Leipzig, D

Haus der elektronischen Künste, Basel, CH

2019

ZKM Center for Art and Media, Karlsruhe, D

Het Nieuwe Instituut (The New Institute), Rotterdam, NL

WRO Media art biennale, Wroclaw, P

Kunstraum Kreuzberg/Bethanien, Berlin, D

2018

Bibliothèque Polonaise, Paris

VRHAM Festival, Hamburg, D

'Walls of Silence', Platforme Paris

2017

Odessa Biennale, Ukraine
WRO Media Art Biennale, Wroclaw, Poland
Creative Studio, Whitechapel Gallery, London

Centre for Chinese Contemporary Art, Manchester
Zona Maco art fair, Mexico City
2016

MU Art Space/Dutch Design Week, Eindhoven, NL
Celeste Prize shortlist 2016, OXO Tower Wharf, London, UK
Utopia Fair, Somerset House, London
Institute of Contemporary Art cinema, London
2015

WRO Media Art Biennale, Wroclaw, Poland
RIXC Gallery, Riga, Latvia
VARIATION Paris Media Art Fair
KEEPitREAL!, Bayt Al-Sinnari – Bibliotheca Alexandrina, Cairo, Egypt
Trancend.t, Maus Hábitos, Porto, Portugal
2014

transmediale, Berlin
London Design Festival, Victoria & Albert Museum
Interval, Künstlerforum Bonn, Germany
2012

CYNETART Festival for Computer Based Art, Dresden
Arse Elektronika – A festival of sex and technology, San Francisco

 

Research and teaching positions

2020- Fellow, V2_Lab for the unstable media

2019- Associate Research Fellow, De Montfort University, Leicester

2016- Research Fellow, The Royal Central School of Speech and Drama, University of London

2018-20 Artistic Researcher, Leiden University

2014-16 Senior Lecturer and Course Leader Performance Arts, The Royal Central School of Speech and Drama

2012-14 Lecturer in Theatre and Digtial Arts, Brunel University London

2011 Lecturer in Performing Arts, De Montfort University, Leicester

 

 

 

 

 

 


 

 

 

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