Protection, by Anna Anders

The exhibition Protection by Anna Anders shows artworks that deal with the theme of protection. She uses photographs and video artworks in situations where people find themselves in unsafe threatening circumstances, or in situations where they realize they should be protecting themselves. By juxtaposing familiar protection, familiar because it has been fashionably and stylishly changed and thus become the everyday norm, with a situation of defenselessness and the search for protection, she sensitively opens up a debate, a discussion about our cultural approach to threat and protection.


 

Protection I

2018/19. photo series

55,0 x 32,2 cm, fine art print on Hahnemühle paper


This portrait series shows construction workers and street vendors in Bangkok. By wearing protective clothing and masking their faces, these people working under harsh conditions protect themselves from injury, strong sun, dust and air pollution. In doing so, they often create fascinating combinations of colors and patterns.


 

 

 

 

Exhibition Goethe Institut Brasil - 2018

 

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Protection II

2020, Photo series
55,0 x 32,2 cm, fine art print on Hahnemühle paper

 

The portrait series was taken from 04 to 08 March 2020 on the Pitztal Glacier in the Austrian Tyrol. The skiers and snowboarders in their mostly brightly colored clothing protect themselves with helmets, goggles, scarves and masks from injuries and sun, from cold, wind and snow. Their fashionable-futuristic look moves between individual design and conformity and features interesting variations.

The Covid 19 pandemic seemed far at the beginning of March 2020, although it was already raging very close in Italy. A few days later, the lockdown also took place in Austria and Germany. Now we wear masks to protect ourselves from viral infection.



 

 

 

 

 

 RASENDER STILLSTAND - A nighttime ride through beginnings of the Corona Crisis.



2021, 4K video, 2 channel video installation.
Length: 8:12 min (large flat screen monitor 48" to 55") and 41:51 min (small digital photo frame 9") with news from January (11:53 min) and February (29:58 min), 2020.

A wall-mounted flat screen, i.e. the "frosted screen", becomes the windshield of a car that seems to be driving through heavy rainy weather (=tears) in the dark of the night. At regular intervals, the windshield wipers clean the (monitor) window like the blink of an eye. From the car radio one hears reports about the first two months of the Corona Pandemic, i.e. January and February 2020.

View Video Documentation here 

The Artworks are available in ACI-Shop

 

 

Figur Variationen, Marc Aschenbrenner 

19.08 - 11.11 2022
Location: Markgrafenstraße 86, 10969 Berlin
Opening Hours During Exhibition
Wed-Sat, 12noon-6pm

 

Consisting of six video art films, one installation and 6 aquarelles. 



Courtesy Art Claims Impulse


Courtesy Art Claims Impulse

 

Title of the Videoartworks

Torres de Satélite 2019/22
Zaunfigur 2017/22
Figur mit zwei Oberkörpern 2021/22
Figur1
Tagebau
Liegende


The exhibited six aquarelles were created during Marc Aschenbrenner's stay in the intensive care unit. They are illustrations of his visions during his illness.

 

Artwork is available in ACI-Shop

 

 

HYSTERESIS by Dani Ploeger

14.09.2022 - 15.11.2022


Mixed media installation (modified bumper car, Virtual Reality app, digital video)

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The term "car tuning" is used for the practice of independently modifying the technical and aesthetic characteristics of standard, mass-produced cars. Some aspects of the tuning scene seem contradictory. On the one hand, the loud-mouthed converted engines and exhausts - usually accompanied by huge audio systems - often make a crude, sometimes even violent, impression on outsiders, and news media regularly report accidents involving fast-driving tuned cars. At the same time, the optical and technical details of the cars and their presentation suggest a refined and precise creative practice, carried out in a social structure of close cooperation and solidarity.

HYSTERESIS consists of a bumper car which has been modified in collaboration with cartuners in Zeeland, a rural area in the Netherlands. The car is equipped with a Virtual Reality headset and accompanied by a video projection. After a virtual race in a Golf Mk4 over a dike road, a tuner talks about his car. Meanwhile, an endlessly repeating video recording of a burnout with an Mk4 is projected. Burnouts are performed to warm up tires for a drag race, as a spectacular public intervention, and as a memorial for fellow tuners who have crashed.

Hysteresis - "The energy lost and not returned, when tire materials are subjected to stress in any direction. Lost energy is converted to heat through molecular interaction, and since rubber has poor thermal conductivity, internal temperatures of a tire can build up rapidly under repeated flexing." (The Automotive Dictionary)

 

 

 

Upcoming

Thingstätten by Maria Vedder

Opening: 18.11.2022 

Exhibition:19.11 - 09.12.2022
Location: Markgrafenstraße 86, 10969 Berlin

 

Thingstätten

2019 until today, Work in Progress

Multi-channel installation

Projections and monitors, installation dimensions variable.

5 short films of Thingplaces in NRW were supported by Foundation Künstlerdorf Schöppingen,

Kultursekretariat NRW Gütersloh, project Stadtbesetzung/Erkundungen,

Ministry of Culture and Science of the State of North Rhine-Westphalia

Beside the installation there is also a FILM, in which all previous recordings are summarized.

Planned are about 40 films from preserved Thing places in Germany.

Throughout Europe, votes for radical right-wing positions are increasing. After the immense catastrophe brought upon the world by the National Socialists in the last world war, this fascination is hard to comprehend. It is particularly frighteningly topical in war-torn Russia. To understand more, I would like to use the example of the National Socialist THINGSTÄTTEN to examine one aspect of the propaganda of the time, the places of seduction.

 

Throughout Germany in the 1930s, Thingstätten were erected, theater-like gathering places built by the Nazi regime to spread its ideology. With falsified historical recourse to ancient Germanic traditions, theatrical performances were to take place at them, so-called Thingpiele. These were supposed to allow the individual to experience an emotional absorption in the homeland and the national community. For this reason, impressive scenic sites were chosen as Thing sites: atmospheric places surrounded by forests, by bodies of water, embedded in hills or natural rocks, at ruins or other traces of local history.

In Germanic times, a Thing or Ding was the people's and court assembly. It dealt with legal matters and was always held in the open air. The Nazis abused the idea of Thing meeting places for staging the cult of the Führer.

From 1933 until the outbreak of war in 1939, up to 400 Thing sites were planned or started. Approximately 60 open-air theaters were completed. Of the majority, one knows today the place, many are still used for concerts and theater performances.

This project is to document all former Thing sites in Germany. Here you can see Thingstätten in NRW in Herchen, Jülich, Mülheim an der Ruhr, Porta Westfalica and Wattenscheid.

The cinematic approach to these sites is done from the air. With a camera drone a trip is started vertically above the Thingplatz, you can see the whole environment, the camera slowly approaches, it turns around its own axis until the square fills the picture. The image spinning like a spiral creates a suction. It is a figurative expression of the seduction and agitation of the population by National Socialism.

 

 

 

 

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